Since the invention of photography in the future, many are exploring to a perturbation in the creation of the possible. From the 19th century until the 20th century, continuing a photographer to put forward new ideas for the arts community support. In the 20th century draws to a close today, despite the photographic works of art museums have become part of one of the collection, but also of creative artists to refuse to photography at the Museum of circumstances. This phenomenon is the emergence and long to agree that art photographer for the aftermath left by the relevant; present the various forms of creative also have their historical roots. Photographer in creative thinking on the occasion of the breakthrough, their predecessors through the road should be good reference. ● perturbation from the art of painting to photography The mid-19th century, Europe's photographer (and especially Britain) Mofang academic painting of the composition and themes that in order to mention the art of photography status. After 10 years in this sport, not only the artist's certainly less, and follow the care of the painting, but also limits the photographer's performance. O to 188 years later, this is called "Art Photography" (Art Photography) has existed in name only by the wave. Art photography movement of stolen and not detract from photographer's ambition. 1886, the United Kingdom, Peter. Henry, Emerson (Peter Henry Emerson) made a name: Photography - A Painting (Photo: A Pictorial Art) of the papers, that the distinction between art and science (that is, the painting and photography) should not be There, and the home of the main task is to show in the eyes of nature scene. Photography in his finds, than etching prints (Etching), woodcut prints and charcoal strokes superior than the painting as the only lack of color and level it. Emerson bold argument caused great repercussions both positive and negative, of a sudden he later withdraw his remarks and that photography is not art, but he has caused by the controversy caused referred to as "drawing in" (Pictorialism) international Photographic art of fashion, and holding to the early 20th century. Since the development of photographic materials, such as Platinum Edition (Platinum Print), plastic color version (Gum-Bichrom-ate Print) and photographic loss (Photogravure) the emergence of carved, making perturbation can easily achieve the effect of painting, drawing also contributed to And the prevalence. At that time, in order to promote such photography held by the "photographic Sharon" show (usually by painting or sculptor long as accreditation) has become "photographic Sharon," the origin of the term. Early paintings and photography and art photography The most obvious difference is caused by the extensive use of 52mm-Yunran and special drawing texture of the paper. In the sense of □, who has been painting and can not be satisfied with only the composition and themes follow the example of paintings, photos of Health to feel as if the painting is the effect of purpose. Photographic art in this way than to give up more of the characteristics of photography, but such a request, the most successful photography is an art best, and do not see the photos. Painting and photography enhance the status of art form and a photographer are in the same predicament. In footing, both of which were considered low art photography than a first-class, are two entirely different media, hardware used photography to Mofang painting, is naturally unable to go beyond and thankless task. Despite a starting point, but in fighting for position on the art of photography, painting and a successful start. Painting of the main achievements are not completely advocate of the credit, the arts community of reform and innovation is the greatest power. O in 1970, in France, although a rise of the impressionist exhibition for the purpose of the anti-Sharon, as these artists (especially Amat in the grid, Dijia Edgar Degas) often invoke the image photographic method (bold figures cutting, a height overlooking the King, etc.), equivalent to a recognition of intangible perturbation aesthetics. In addition, many paintings and then joined the anti-academic young artists organized by the "separation" (Secession) movement, such as the United States of Alfred Stieglitz (Alfred Stieglitz) in New York to set up the "photographic separation" (Poto - Secession), London's "The Circle" (Linked Ring) groups are active at that time. It is especially Steve Geli in addition to promote photography, the introduction of the European avant-garde art to the United States also Feichangrexin. Like Rodin (Augusts Rodin), Matisse (Henry Matisse) and Picasso's works in the "photographic separation" of small galleries display the first time in the United States. Because of the painting and avant-garde artists at the time of exchange, the increase in the photographer's art on the status of great help. ● avant-garde art in the shadow on the Application Although the painting and then the avant-garde artists have been fought, but the photographer to the development has stagnated down. In the beginning of the century Yitan flowers on the occasion of Zhengyan, who is addicted to painting and impressionist paintings such as the photo style. In the constantly repeated, to promote the reunification of the nature of photography "pure photography" (Straight Photography) finally replaced the painting and become the mainstream. "Pure photography" of course not only in the 20th century, its history and the history of the same long perturbation. But a long time photographer in the pursuit of artistic recognition, they often abandon the most fundamental characteristics of photography - video recording functionality, so to go through more than half century later, "pure photography" only to find favor. "Pure photography" and the emergence of a whole generation of the 20th century is closely related to change. At that time, the continuation of the late 19th century avant-garde artists of the modern development, in rethinking the various media (media) the unique aesthetic, gradually breaking the painting and sculpture "with the elephant" (Representational) limit, for the most suitable "as a" performance Of course, the media-photography莫属. Because of this concept of change, "abstract" art performance thus generated. "Pure photography" Despite continued until 1970, after O, but for most of creative vitality into it is the beginning of the 20th century European avant-garde art to home. George, Brock (Georges Braque) and Picasso have tried to small pieces of newspaper or other small objects (unrelated to the general and artistic) put on the canvas to create is called "Collage" (Collage) of Manifestations, but the most far-reaching impact on the rest are from Malaysia, Duchamp (Marcel Duchamp) issued to the concept. Duchamp in the real-life objects (usually a large number of manufacturers of industrial products) and add the title after signature, as his works on display (the so-called Ready-made, such as in 1917 shocked the people of the world's "Fountain" is Signed the name of a urinal). Duchamp certainly not the purpose of prank, he stressed that the arts should be based on ideas or philosophical thinking. All kinds of new ideas-Leixia, were once considered to be scientific and practical photography, this time starting with God's creation of modern media. But most of the artists in the use of photography to take pictures, not personally, but the video (picture) as a material for processing. Under such conditions, are still all kinds of media and artistic creation in the ever-popular "photo montage" (Photomontage) thus generated. ● image of the New World Synthesis of multiple images with a photographic montage on the screen is not the invention of the mid-19th century art photographers have more than one popular film of the "composite photos," but such a photographic montage deliberately used "rough" approach The combination of images, in ambition and the effect on their predecessors and have completely different direction. Photographic montage of the show such as kaleidoscope-like visual effects, this is the time many different fragments in the accumulation and extended, pointing to another world beyond the plane. In addition to photographic montage of visual novelty and multi-layered meaning, the artist, this is a can narrow the distance between the masses of creative ways. In the early 20th century in Europe and the United States, because of the popularity of Screen printing, to various published photos (picture) consisting mainly of a large number of Modern and the camera records all kinds of things has become a tradition, the community is already photography Indispensable part of the culture. Most people use photographic montage of photos of familiar, and re-use change the ratio to produce a combination of both familiar and novel image the world. Unlike other creative forms, most of the video is a montage of political and social criticism (especially the two in the O O ~ 3), and a large number appear in print media. If committed to the anti-fascist John Heartfield (John Heartfield) his most famous works are mostly "workers Illustrated" (AIZ, the German Communist Party's external groups) the cover. In addition to these works of the anti-Nazi propaganda, also held another mission to attract readers. Germany in World War II before the Weimar Republic era, the pictorial display on the newsstand at least 20 more, the cover picture has become a major competitive weapon, not only socialists use of montage, and even the Nazi propaganda has used the same方式. In addition to the development of photographic montage in the political criticism (or promotion) can not be left on the traces of Mamie, in the application of commercial advertising is more far-reaching impact. Even today, a lot of art, advertising design and even artistic creation is the continuation of photographic montage creative style. From the mid-19th century to the development of the art of photography in the 1920s photographic montage O, which is between the various social dimension of photography into the process. No matter how the photographer to think about photography in the art positioning on the issue, all other sectors of the community to the need to use their own photo (or other related products). On the art, this phase of the development of photography has opened a different way. Of creative photography is no longer the patent, anyone can capture photos directly to do for the creation of the image material. Compared to the traditional way to take photographs to create the photographer, photography, the technical issues are no longer of concern to the creators of such direction, considering the level he (she) might also close to the painter is, of course, such a A result of the development of photography and other media between the gray area. ● postscript O in eight years after the chaos of the trend in the arts, photography creators will inevitably be affected, other mixed media photographic works (or other mixed media photography) has therefore constantly appear in the photo exhibition in. Like Anse, Adams's detailed, realistic images of people feel the beauty of nature, and contemporary John. Hate Fei ears in the offensive, the thorn Montage also to arouse the people's political awareness. Photography and other media, ubiquitous in the community. In the creation and no one could provide photographic should maintain what kind of form, as in real life situations of all kinds of mixed media is emerging. The early 20th century trend of art, the motive behind their response times are no more than the pulse. In the 20th century draws to a close today, the creators have not yet divorced from the beginning of the century avant-garde artists of the impact. In reviewing the history of the occasion, whether it is the use of photographic or other media creators, should be thinking even kind of works to enter the next century.

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